{"id":1054,"date":"2017-06-22T19:04:59","date_gmt":"2017-06-22T19:04:59","guid":{"rendered":"http:\/\/www.flacda.org\/?page_id=1054"},"modified":"2020-09-29T19:47:19","modified_gmt":"2020-09-29T19:47:19","slug":"womens-choirs","status":"publish","type":"page","link":"http:\/\/www.flacda.org\/?page_id=1054","title":{"rendered":"Women&#8217;s Choirs"},"content":{"rendered":"<p><strong>SUGGESTED RESOURCES \u2013 WOMEN\u2019S CHOIRS\/SSAA CHOIRS<\/strong><\/p>\n<p>Prepared by Barbara Tagg, July 2020<\/p>\n<p>&nbsp;<\/p>\n<p>I.\u00a0 \u00a0 Repertoire List ACDA 2020 Southern Region Convention Reading Packet<\/p>\n<p>II.\u00a0 \u00a0Recommended Repertoire<\/p>\n<p>III.\u00a0 Books<\/p>\n<p>IV.\u00a0 Web Resources<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>I.\u00a0 REPERTOIRE LIST FROM ACDA 2020 SOUTHERN REGION CONVENTION READING PACKET<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Izar ederrak \u2013 Josu Elberdin<\/p>\n<p>SSAA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music\/GIA WMJS1178\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92016, 2019<\/p>\n<p>&nbsp;<\/p>\n<p>Stars Above and Earth Below \u2013 Rob Swenson<\/p>\n<p>SSAA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Santa Barbara Music Publishing, Inc.\u00a0 SBMP 1581\u00a0\u00a0 \u00a92019<\/p>\n<p>&nbsp;<\/p>\n<p>Liftoff Cannon Chorale \u2013 Leah Abramson<\/p>\n<p>SSAA, piano \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cypress Choral Music \u00a0\u00a0CP 1662\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92018<\/p>\n<p>&nbsp;<\/p>\n<p>Caritas Abundat \u2013 Michael John Trotta<\/p>\n<p>SSAA, violin and drum\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Carl Fischer\u00a0\u00a0 CM9563\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92018<\/p>\n<p>&nbsp;<\/p>\n<p>Hold Fast to Dreams \u2013 Susan LaBarr<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Santa Barbara Music Publishing, Inc.\u00a0 SBMP 1426\u00a0\u00a0 \u00a92017<\/p>\n<p>&nbsp;<\/p>\n<p>The Waiting Sky \u2013 Oliver Tarney<\/p>\n<p>SSAA<\/p>\n<p><a href=\"https:\/\/www.jwpepper.com\/sheet-music\/search.jsp?keywords=the+waiting+sky%2C+tarney\">https:\/\/www.jwpepper.com\/sheet-music\/search.jsp?keywords=the+waiting+sky%2C+tarney<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>In Meeting We are Blessed \u2013 Troy Robertson<\/p>\n<p>SSA, djembe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hinshaw Music HMC2589\u00a0\u00a0\u00a0\u00a0 \u00a92016 and 2019<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>II.\u00a0 RECOMMENDED REPERTOIRE<\/u><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>How Can I Keep from Singing<\/p>\n<p>Robert Lowry, Arr. Robert Hugh<\/p>\n<p>SSA\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boosey &amp; Hawkes \u00a0M051468591\u00a0\u00a0 \u00a91997<\/p>\n<p>&nbsp;<\/p>\n<p>Amazing Grace \u2013 Francisco J. N\u00fa\u00f1ez<\/p>\n<p>Three-part, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Boosey &amp; Hawkes\u00a0 M051468010\u00a0\u00a0\u00a0 \u00a91997<\/p>\n<p>&nbsp;<\/p>\n<p>Rise UP \u2013 Jake Runestad<\/p>\n<p>SSAA, piano\u00a0\u00a0 JR0063\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 JR Music at Jakerunestad.com (or from JW Pepper)<\/p>\n<p>Susan B. Anthony text\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92016<\/p>\n<p>&nbsp;<\/p>\n<p>The Peace of Wild Things \u2013 Sean Ivory<\/p>\n<p>SSAA, viola, piano\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 GIA Publications WW1780\u00a0\u00a0\u00a0 \u00a92017<\/p>\n<p>&nbsp;<\/p>\n<p>Shanti (Peace) \u2013 Mark Sirrett<\/p>\n<p>Buddhist mantra:<\/p>\n<p>Peace, may all beings be well and happy<\/p>\n<p>SSA, glockenspiel, finger cymbal, gong and drone<\/p>\n<p>Boosey &amp; Hawkes\u00a0 ISMN 9790051479849\u00a0\u00a0 \u00a92010<\/p>\n<p>&nbsp;<\/p>\n<p>I hope you\u2019re doing well &#8212; Dale Trumbore<\/p>\n<p>Aleatoric piece on zoom See link:<\/p>\n<p><a href=\"https:\/\/www.daletrumbore.com\/copy-of-a-way-to-be-with-you\">https:\/\/www.daletrumbore.com\/copy-of-a-way-to-be-with-you<\/a><br \/>\nA Way to Be With You \u2013 Dale Trumbore<\/p>\n<p>Aleatoric, flexible voicing<\/p>\n<p><a href=\"http:\/\/daletrumbore.com\/a-way-to-be-with-you\">daletrumbore.com\/a-way-to-be-with-you<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Ave Generosa \u2013 Ola Gjielo<\/p>\n<p>SSAA unaccompanied\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music \/Div. of GIA \u00a0\u00a0 WM1653\u00a0\u00a0\u00a0 \u00a92017<\/p>\n<p>&nbsp;<\/p>\n<p>Flying Solo \u2013 Philip E. Silvey<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Carl Fisher Music CM9626\u00a0\u00a0\u00a0 \u00a92020<\/p>\n<p>&nbsp;<\/p>\n<p>Spes (Hope) \u2013 Mia Makaroff<\/p>\n<p>SSAA\u00a0 \u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music WM1777\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92020<\/p>\n<p>&nbsp;<\/p>\n<p>Threads of Joy \u2013 Tim Brent and Amanda Quist<\/p>\n<p>SSAA, piano \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music WM1805\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92020<\/p>\n<p>&nbsp;<\/p>\n<p>Hate Has No Home Here &#8212; Andrea Ramsey<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Andrearamsey.com<\/p>\n<p><a href=\"https:\/\/musicspoke.com\/downloads\/hate-has-no-home-here\/\">https:\/\/musicspoke.com\/downloads\/hate-has-no-home-here\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>As You Sing (<em>from <\/em>Nine Secular Works for Upper Voices) \u2013 Sarah Quartel<\/p>\n<p>SSAA and hand drum \u00a0 Oxford University Press\u00a0 ISBN 978-0-19-35421-7 \u00a92018<\/p>\n<p>&nbsp;<\/p>\n<p>Will the Circle Be Unbroken \u2013 Trad. Appalachian, arr. David Moore<\/p>\n<p>SSAA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fresh Ayre Music\u00a0\u00a0 FAM 1072-02\u00a0\u00a0\u00a0\u00a0 \u00a91988<\/p>\n<p>&nbsp;<\/p>\n<p>A New Psalm (Psalm 98) \u2013 Ken Berg<\/p>\n<p>SSA, sop. solo, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 E.C.S. Publishing 1.3484\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92016<\/p>\n<p>&nbsp;<\/p>\n<p>Salve Regina \u2013 Mikl\u00f3s Kocs\u00e1r<\/p>\n<p>SSAA \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kod\u00e1ly Intezet\u00a0 (Order from Hungary)<\/p>\n<p>&nbsp;<\/p>\n<p>Gaelic Blessing \u2013 John Rutter<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Oxford University Press \u00a0\u00a91998\/2019<\/p>\n<p>&nbsp;<\/p>\n<p>One Voice \u2013 Ruth Moody<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0 Score:\u00a0 <a href=\"https:\/\/www.ruthmoody.com\/store\/one-voice-sheet-music\/\">https:\/\/www.ruthmoody.com\/store\/one-voice-sheet-music\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Faith is the Bird that Feels the Light \u2013 Elizabeth Alexander<\/p>\n<p>SSA a cappella\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seafarer Press\u00a0 SEA-068-00\u00a0\u00a0\u00a0 \u00a92002<\/p>\n<p>&nbsp;<\/p>\n<p>Bye and Bye \u2013 Rollo Dilworth<\/p>\n<p>SSAA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hal Leonard \u00a0\u00a0 00325496\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92020<\/p>\n<p><a href=\"https:\/\/www.jwpepper.com\/sheet-music\/media-player.jsp?&amp;type=audio&amp;productID=11203717\">https:\/\/www.jwpepper.com\/sheet-music\/media-player.jsp?&amp;type=audio&amp;productID=11203717<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Where There is Light in the Soul \u2013 Elizabeth Alexander<\/p>\n<p>SSA a cappella\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seafarer Press SEA-070-02\u00a0\u00a0\u00a0 \u00a92009<\/p>\n<p><a href=\"https:\/\/www.jwpepper.com\/sheet-music\/search.jsp?keywords=elizabeth+alexander&amp;sort=totalUnits\">https:\/\/www.jwpepper.com\/sheet-music\/search.jsp?keywords=elizabeth+alexander&amp;sort=totalUnits<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Cherish Your Doubt \u2013 Elizabeth Alexander<\/p>\n<p>SSAA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seafarer Press SEA 063-02\u00a0\u00a0\u00a0 \u00a92007<\/p>\n<p>&nbsp;<\/p>\n<p>Calm the Tempest of My Heart \u2013 Elizabeth Alexander<\/p>\n<p>2, 3, or 4 part treble flexible voicing Seafarer Press\u00a0 114-00\u00a0\u00a0 \u00a92012<\/p>\n<p>&nbsp;<\/p>\n<p>Reasons for the Perpetuation of Slavery \u2013 Elizabeth Alexander<\/p>\n<p>SSAA a cappella\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seafarer Press \u00a0SEA-091-00\u00a0\u00a0 \u00a92010<\/p>\n<p>ACDA 2010 Women\u2019s Chorus Commissioning Consortium<\/p>\n<p>&nbsp;<\/p>\n<p>A Palette to Paint Us As We Are \u2013 Elizabeth Alexander<\/p>\n<p>SSA, piano\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Seafarer Press\u00a0 SEA-014-02\u00a0\u00a0\u00a0 \u00a92012<\/p>\n<p>&nbsp;<\/p>\n<p>Will the Circle Be Unbroken \u2013 Trad. Appalachian, arr. David Moore<\/p>\n<p>SSAA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fresh Ayre Music\u00a0\u00a0 FAM 1072-02\u00a0\u00a0\u00a0\u00a0 \u00a91988<\/p>\n<p>&nbsp;<\/p>\n<p>Bonk\u2019 Abaphandle \u2013 Michael Barrett, Mbuso Ndlovu<\/p>\n<p>SSAA, percussion\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music WW 1843\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 \u00a92020<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>III.\u00a0 BOOKS<\/u><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">TOPIC:\u00a0 WOMEN CONDUCTORS AND WOMEN\u2019S CHOIRS<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Burns, Kristine H., ed. <em>Women and Music in America Since 1900: An Encyclopedia<\/em>.<\/p>\n<p>Vol. I, A-K; Vol. II, L-Z. Westport, CT: Greenwood Press, 2002.<\/p>\n<p>&nbsp;<\/p>\n<p>Conlon, Joan Catoni.\u00a0\u00a0<em>Women, Wit, and Will: Women Choral Conductors On Their Art.\u00a0<\/em><\/p>\n<p>Chicago: GIA Publications, Inc., 2009.<\/p>\n<p>&nbsp;<\/p>\n<p>Spurgeon, Deborah, Ed.\u00a0<em>Conducting Women&#8217;s Choirs: Strategies for Success.\u00a0<\/em>Chicago:<\/p>\n<p>GIA Publications Inc., 2012.<\/p>\n<p>&nbsp;<\/p>\n<p>Tagg, Barbara M.\u00a0<em>Before the Singing: Structuring Children&#8217;s Choirs for Success.<\/em>\u00a0New York:<\/p>\n<p>Oxford University Press, 2013.<\/p>\n<p>Includes an extensive treble choir repertoire list.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">TOPIC:\u00a0 AN ECLECTIC LIST FOR KNOWLEDGE AND INSPIRATION<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>Bernstein, Leonard. <em>The Infinite Variety of Music<\/em>. New York: Simon &amp; Schuster, 1966.<\/p>\n<p>&nbsp;<\/p>\n<p>Cameron, Julia. <em>The Artist\u2019s Way: A Spiritual Path to Higher Creativity<\/em>. New York: G. P.<\/p>\n<p>Putnam\u2019s Sons, 1992.<\/p>\n<p>&nbsp;<\/p>\n<p>Ehly, Eph. <em>Hogey\u2019s Journey: A Memoir by Eph Ehly.<\/em> Dayton, Ohio: Heritage Music<\/p>\n<p>Press, 2006.<\/p>\n<p>&nbsp;<\/p>\n<p>Fowler, Charles, ed. <em>Conscience of a Profession: Howard Swan, Choral Director and Teacher.<\/em> Chapel Hill, N.C.: Hinshaw Music, Inc., 1987.<\/p>\n<p>&nbsp;<\/p>\n<p>Glenn, Carole. <em>In Question of Answers: Interviews with American Choral Conductors.<\/em> Chapel Hill, N.C.: Hinshaw Music, Inc., 1991.<\/p>\n<p>&nbsp;<\/p>\n<p>Johnson, Spencer. <em>Who Moved My Cheese?: An A-Mazing Way to Deal With Change in Your Work and in Your Life<\/em>. New York: G. P. Putnam\u2019s Sons, 1998.<\/p>\n<p>&nbsp;<\/p>\n<p>LaBarr, Cameron and Wykoff, John. <em>The Melodic Voice: Conversations with Alice <\/em><\/p>\n<p><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Parker. <\/em>Chicago: GIA Publications, Inc., 2019.<\/p>\n<p>&nbsp;<\/p>\n<p>Noble, Weston. <em>Creating the Special World: A Collection of Lectures<\/em>. Ed. by Steven M. Demorest. Chicago: GIA Publications, Inc., 2005.<\/p>\n<p>&nbsp;<\/p>\n<p>Parker, Alice. <em>The Anatomy of a Melody: Exploring the Single Line of Song<\/em>. Chicago: GIA Publications, Inc., 2006.<\/p>\n<p>&nbsp;<\/p>\n<p>Parker, Alice. <em>The Answering Voice: The Beginnings of Counterpoint. <\/em>GIA Publications, Inc., 2014.<\/p>\n<p>&nbsp;<\/p>\n<p>Parker, Alice.\u00a0\u00a0<em>The Gift of Song.<\/em> GIA Publications, Inc., 2020.<\/p>\n<p>&nbsp;<\/p>\n<p>Rao, Doreen. <em>Circle of Sound, Voice Education: A Contemplative Approach to Singing Through Meditation, Movement, and Vocalization.<\/em> New York: Boosey &amp; Hawkes, 2005.<\/p>\n<p>&nbsp;<\/p>\n<p>Schiller, Sherry. <em>Hum: Using Connective Change to Lead Your Organization to Greater<\/em><\/p>\n<p><em>\u00a0Purpose and Harmony.<\/em> Schiller Center for Connective Change,<\/p>\n<p><a href=\"http:\/\/www.schillercenter.org\">www.schillercenter.org<\/a>, 2013.<\/p>\n<p>&nbsp;<\/p>\n<p>Mussulman, Joseph A. <em>Dear People . . . Robert Shaw, A Biography<\/em>. Bloomington: Indiana University Press, 1979.<\/p>\n<p>&nbsp;<\/p>\n<p>Suesse, Gwen. <em>Womansong. <\/em>Santa Barbara, CA: Sea-Hill Press, 2010.<\/p>\n<p><a href=\"http:\/\/www.womansong.com\">www.womansong.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><u>IV.\u00a0 WEB RESOURCES<\/u><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/acda.org\/repertoire\/womens-ssaa-choir-repertoire\/\">https:\/\/acda.org\/repertoire\/womens-ssaa-choir-repertoire\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/melodiawomenschoir.org\/the-choir\/works-by-women-composers\/\">http:\/\/melodiawomenschoir.org\/the-choir\/works-by-women-composers\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/loreleiensemble.com\/programs\">https:\/\/loreleiensemble.com\/programs<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/electra.ca\/repertoire\">https:\/\/electra.ca\/repertoire<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/pwchorus.org\/repertoire\/compositions\/\">https:\/\/pwchorus.org\/repertoire\/compositions\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/cuchorus.com\/repertoire\">http:\/\/cuchorus.com\/repertoire<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.carus-verlag.com\/en\/choir\/choral-music-by-scoring\/equal-voices\/women-schoir\/\">https:\/\/www.carus-verlag.com\/en\/choir\/choral-music-by-scoring\/equal-voices\/women-schoir\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/imslp.org\/wiki\/Category:For_female_chorus\">https:\/\/imslp.org\/wiki\/Category:For_female_chorus<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/earthsongschoralmusic.com\/\">http:\/\/earthsongschoralmusic.com\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.giamusic.com\/store\/search?elSearchTerm=&amp;elCatalog=wm&amp;elComposer=null&amp;elVoicingWalton%5B%5D=wc\">https:\/\/www.giamusic.com\/store\/search?elSearchTerm=&amp;elCatalog=wm&amp;elComposer=null&amp;elVoicingWalton%5B%5D=wc<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/jstor.org\/stable\/23553429?seq=1#page_scan_tab_contents\">https:\/\/jstor.org\/stable\/23553429?seq=1#page_scan_tab_contents<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>SUGGESTED RESOURCES \u2013 WOMEN\u2019S CHOIRS\/SSAA CHOIRS Prepared by Barbara Tagg, July 2020 &nbsp; I.\u00a0 \u00a0 Repertoire List ACDA 2020 Southern Region Convention Reading Packet II.\u00a0 \u00a0Recommended Repertoire III.\u00a0 Books IV.\u00a0 Web Resources &nbsp; I.\u00a0 REPERTOIRE LIST FROM ACDA 2020 SOUTHERN REGION CONVENTION READING PACKET &nbsp; Izar ederrak \u2013 Josu Elberdin SSAA\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Walton Music\/GIA WMJS1178\u00a0 [&hellip;]<\/p>\n<div class=\"clear\"><p><a class=\"btn btn-mini btn-primary pull-right\" href=\"http:\/\/www.flacda.org\/?page_id=1054\">Read More<\/a><\/p><\/div>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1054","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/pages\/1054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.flacda.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1054"}],"version-history":[{"count":5,"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/pages\/1054\/revisions"}],"predecessor-version":[{"id":1812,"href":"http:\/\/www.flacda.org\/index.php?rest_route=\/wp\/v2\/pages\/1054\/revisions\/1812"}],"wp:attachment":[{"href":"http:\/\/www.flacda.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}